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E! News Moves to TikTok, Sole Viewer Asks: ‘Where’s the Remote for This App?’

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In a seismic shift that has rocked the very foundations of celebrity gossip, E! News, the 34-year titan of red carpet razzle-dazzle, has been unceremoniously yanked from television, set to air its final episode on September 25, 2025. The announcement, unveiled on July 24, 2025, has sent shockwaves through Hollywood—and one lone viewer’s living room in Poughkeepsie, New York, where 87-year-old retiree Mildred Jenkins is reportedly “flummoxed” by the network’s pivot to TikTok. “Where’s the remote for this app?” Jenkins demanded, shaking her trusty Zenith TV clicker at a rotary phone she mistook for a smartphone.

As The Critical Chronicle’s trendsetting tech correspondent, I, Rachel Dunn, am here to declare this moment nothing short of a cultural apocalypse—or, dare I say, a digital renaissance for the glitterati-obsessed. E! News, once the North Star for Kardashian meltdowns and Oscar gown breakdowns, is abandoning its 11 p.m. slot to chase the elusive Gen Z eyeball on TikTok, Instagram, and YouTube, where its 87 million followers await bite-sized clips of celebrity dog-walking scandals. This bold leap, spurred by NBCUniversal’s corporate split into the shiny new Versant empire, signals the death knell for traditional TV—or so say the executives sipping oat milk lattes in boardrooms adorned with NFT art.

But let’s zoom in on Mildred, our sole surviving viewer, who gained attention this week for her heartfelt plea to E! News hosts Keltie Knight and Justin Sylvester: “I just want to know if Brad Pitt’s still single, not how to download this Tikky-Tok nonsense!” Sources close to Mildred (her cat, Mr. Whiskers) confirm she spent three hours poking her TV screen, hoping to “scroll” to Ryan Seacrest’s old episodes. Her confusion is emblematic of a broader crisis: E!’s five remaining TV fans, all over 80, reportedly believe TikTok is a new brand of microwave popcorn.

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This digital migration, cloaked in the glittering guise of innovation, is poised to redefine celebrity journalism. Picture it: 15-second TikToks of Zendaya’s Met Gala dress, captioned with dancing eggplant emojis, or Instagram Lives dissecting Timothée Chalamet’s latest man-bun. Yet, as E! News trades cathode rays for algorithms, Mildred’s plight unveils a stark truth: not everyone’s ready for the future. “I called the cable company to order TikTok,” she sobbed, “and they sent me a pamphlet on fiber optics!”

As Versant’s CEO promises a “dynamic, multi-platform experience,” The Critical Chronicle predicts E! News will dominate the digital sphere—unless Mildred organizes her book club into a VHS-wielding resistance. For now, Hollywood’s elite must brace for a world where their scandals are reduced to hashtags and their gowns judged by swipe-ups. Rachel Dunn, signing off with a flourish, declares this the dawn of a new era: one where glamour meets glitch, and Mildred Jenkins searches in vain for TikTok’s “channel button.”

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Sean Combs Seen Punching the Air After Learning Documentary Will Not Be Titled “Puff Daddy: Philanthropist & Hug Enthusiast”

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LOS ANGELES – In what multiple sources are describing as “the most aggressive shadow-boxing session since Rocky Balboa trained for the Cold War,” Sean “Diddy” Combs was reportedly observed Thursday delivering a 47-second flurry of jabs to empty space after learning that 50 Cent’s forthcoming Peacock documentary will not, in fact, be subtitled Puff Daddy: Philanthropist & Hug Enthusiast, the working title Mr. Combs allegedly submitted along with a 400-page PowerPoint deck and a gift basket containing 12 unopened bottles of baby oil “for ambiance.”

Eyewitnesses inside the Beverly Hills mansion say the music mogul reacted to the news with the calm, measured demeanor one typically reserves for discovering the last slice of pizza has been eaten by a houseguest who also used your toothbrush. One staffer, speaking on condition of anonymity because he still needs dental coverage, told this reporter, “He just stopped mid-sentence, looked at the ceiling like he was waiting for Jesus to personally descend with a revised title card, then started throwing hands at oxygen. It was like watching a TED Talk on rage.”

Insiders familiar with the ongoing negotiations claim Combs had been “quietly optimistic” that Curtis Jackson—known to the IRS as 50 Cent—could be persuaded to reframe the four-part exposé as an extended infomercial for hydration, self-care, and “the healing power of consensual cuddling.” A source close to the production leaked a rejected treatment that included a 22-minute montage of Combs handing out bottled water at charity events set to a slowed-down version of “I’ll Be Missing You.” The same source added, “There was even talk of a post-credits scene where Diddy rescues a basket of kittens from a burning Reebok factory in 1998. Curtis apparently laughed for nine straight minutes.”

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In a statement that somehow managed to be both defiant and lubricated, Combs’ attorney released the following: “My client is deeply disappointed that this project has chosen to ignore his decades of ribbon-dancing outreach and instead focus on unverified allegations from individuals who clearly never received proper after-care.” When reached for clarification on what “proper after-care” entails, the attorney hung up and this reporter’s phone immediately began playing “Bad Boy for Life” at maximum volume, which I choose to interpret as an industry standard threat.

Meanwhile, 50 Cent celebrated the title dispute the way only 50 Cent can: by posting an Instagram video of himself counting to 1,000 using only bottles of baby oil as props while wearing a T-shirt that reads “Snitches & Streams.” Caption: “Episode 3 drops when the lube runs out.”

As of press time, Mr. Combs has reportedly retreated to an undisclosed walk-in closet lined entirely with vintage Versace silk shirts, where he is said to be “rehearsing his redemption arc” and stress-testing a new cologne ominously named Acquittal No. 5. Peacock executives, reached while boarding private jets to literally anywhere else, declined comment but were seen carrying noise-canceling headphones and what appeared to be a laminated copy of the First Amendment.

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Billie Eilish Tearfully Confesses: “Some Nights I Only Count $49.9 Million Before Bed”

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LOS ANGELES – In an exclusive midnight stakeout outside a nondescript 42,000-square-foot compound—sources confirm it is merely Eilish’s “starter mansion”—this reporter witnessed pop phenom Billie Eilish collapse onto a velvet chaise longue, clutching a single, suspiciously moist $100 bill.

“I just… I just can’t,” the 23-year-old whispered to a circle of grief counselors, personal aromatherapists, and one visibly shaken tax attorney. “Some nights the market dips and I’m down to $49.9 million before I even finish counting the Lamborghinis. How am I supposed to sleep?”

Eyewitnesses—three of whom requested anonymity because their NDAs are still warm from the printer—describe the scene as “the emotional equivalent of a Bitcoin halving.” One insider, speaking on condition of receiving a lifetime supply of limited-edition lime-green hoodies, revealed that Eilish’s nightly ritual involves lining up solid-gold coins in the shape of her Grammy trophies, then recounting them “in case the Fed sneezes.”

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EXCLUSIVE INVESTIGATION: The $100K Tear Duct Index
Financial forensic accountants retained by The Critical Chronicle—working pro bono because, frankly, they wanted to see if the spreadsheets could actually cry—uncovered a previously classified metric: the Eilish Net-Worth Volatility Tear Duct Index (ENWVTI). When her portfolio drops below eight figures for more than 47 consecutive seconds, tear production spikes 2,300%.

“Most mortals experience this at $47 in their checking account,” noted Dr. Reginald Pennyworth, a behavioral economist who moonlights as Eilish’s “emotional liquidity consultant.” “For Billie, it’s a rounding error. The human psyche wasn’t built for this.”

FIELD REPORT: Inside the Walk-In Safe
Gaining access through a service entrance labeled “Definitely Not a Panic Room,” this reporter discovered a climate-controlled vault containing:

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  • – 14 unreleased demo tapes (each insured for the GDP of a small Baltic nation)
  • – A single Post-it note reading “Remember to feel poor sometimes” in what handwriting analysts confirm is Eilish’s own neon-green Sharpie
  • – A framed photograph of Jeff Bezos with the caption “This could be you, but you’re too busy buying happiness”

ON-THE-GROUND INTERVIEWS
Reached for comment at a nearby In-N-Out—where she was purchasing 47 Double-Doubles “for the staff”—Eilish’s manager, who legally changed his name to “Margin of Error” in 2022, dismissed the controversy. “Billie’s not out of touch,” he insisted, wiping animal-style sauce from a Rolex the size of a hubcap. “She’s in touch—with the struggle of choosing between the Gulfstream G650 or the Bombardier Global 7500 for Coachella.”

DATA DIVE: The Solidarity Index
A Critical Chronicle analysis of Eilish’s Spotify Wrapped reveals she listened to her own song “What Was I Made For?” 12,847 times last year—roughly once per $3,900 in passive income. Coincidence? Our statisticians ran the numbers and immediately requested hazard pay.

LATE-BREAKING: The $50M Challenge
In a move that sent shockwaves through the 1% of the 1%, Eilish announced the “50 Million Solidarity Challenge”: any billionaire who can live on her exact budget for 48 hours wins a gently used diamond-encrusted hairbrush. Elon Musk reportedly responded via X with a single rocket emoji and a GoFundMe titled “Help Billie Afford Therapy for Her Therapy Fund.”

CLOSING OBSERVATION FROM THE FIELD
As dawn broke over the compound’s koi pond—where the fish are rumored to be on retainer—this reporter watched Eilish board a helicopter emblazoned with the words “Emotional Support Chopper.” She paused, looked directly into the rotor wash, and shouted to no one in particular: “If I drop below $49.8 million, do I even exist?” The chopper lifted off. Somewhere, a hedge fund manager shorted empathy.

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Kim Kardashian Launches Faux Unibrow Line: “It’s Like Confidence, But Hairier”

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In a seismic shift that has the beauty world clutching its tweezers, Kim Kardashian has unveiled her latest venture: a faux unibrow line dubbed “BrowBold,” promising to redefine facial fashion with a single, majestic strip of synthetic fuzz. The reality mogul turned trendsetting titan dropped this bombshell at a glitzy Los Angeles gala, where influencers and A-listers alike gasped in unison, their perfectly plucked arches quivering in existential dread. As your dedicated correspondent at the intersection of politics, tech, business, and entertainment, I, Rachel Dunn, am here to dissect this audacious spectacle with the gravitas it demands.

“Brows are the crown of confidence,” Kardashian declared, her voice dripping with the kind of gravitas usually reserved for Nobel Prize acceptances. “But why stop at two? One bold brow says, ‘I’m here, I’m fierce, and I’ve fired my aesthetician.’” The BrowBold line, retailing at a cool $299 per synthetic strand, is crafted from ethically sourced vegan yak hair—because, as Kim noted, “cruelty-free is the new sexy.” The collection boasts shades like “Midnight Monobrow” and “Cappuccino Caterpillar,” each packaged in a velvet-lined box that screams, “I spent my rent on this.”

The launch has sparked a cultural firestorm. Tech bros in Silicon Valley are reportedly coding AI to predict the “optimal unibrow density,” while Wall Street analysts speculate that BrowBold could disrupt the $12 billion eyebrow industry. “It’s not just a product; it’s a movement,” gushed influencer Tiffany “TiffTuff” Rodriguez, sporting a faux unibrow so lush it briefly eclipsed the sun. Meanwhile, political pundits are divided: some hail Kim as a unifier bridging the brow divide, while others decry the unibrow as “a follicular affront to bipartisanship.”

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The absurdity reached fever pitch when Kim’s team unveiled the BrowBold app, a $49.99 subscription service that uses augmented reality to “try on” unibrows in real-time. “It’s like FaceTune, but for people who want to look like they’ve never heard of wax,” Kim explained, her eyes sparkling with entrepreneurial zeal. The app crashed within minutes, overwhelmed by millions of users desperate to channel their inner Frida Kahlo—or, as one X post put it, “a werewolf with a vision board.”

Critics, however, are skeptical. Renowned dermatologist Dr. Sheila Pluckington called the trend “a hairy step backward for civilization,” warning that faux unibrows could “confuse facial recognition software and cause existential crises in mirrors nationwide.” Undeterred, Kim’s marketing team doubled down, releasing a limited-edition “BrowBold Glow,” a unibrow infused with LED lights for “that extra wattage of wow.”

As the world grapples with this follicular frontier, one thing is clear: Kim Kardashian has once again turned the mundane into the magnificent, transforming a humble brow into a cultural juggernaut. Will BrowBold redefine beauty, or will it fade like last season’s contour kits? Only time—and a few million Instagram posts—will tell. For now, I’m Rachel Dunn, signing off with a dramatic flourish and a single, perfectly unplucked brow raised to the heavens.

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