Business
Liberals Rejoice as Hollister Combats American Eagle with “Fat Retards Only” Jean Campaign
In a seismic shift within the fast-fashion landscape, Hollister Co. has launched a provocative campaign titled “Fat Retards Only,” ostensibly to challenge American Eagle’s recent “Good Genes” advertisement, which drew accusations of eugenics-adjacent messaging. As a journalist with a scholarly lens on politics, entertainment, sports, and business, I have explored the intersections of consumer culture and performative ideology, and Hollister’s gambit offers a case study in audacious brand desperation. This researcher submits that the campaign, while cloaked in inclusivity, represents a masterclass in corporate self-sabotage, yet liberals are inexplicably hailing it as a triumph over American Eagle’s sartorial misstep.
Hollister’s initiative, unveiled at a dimly lit press conference in a California mall, restricts its new denim line to “self-identified fat retards,” a phrase the company insists is a reclaimed anthem of body positivity and anti-elitism. Marketing director Chad “Trendz” McFlannel declared, “American Eagle’s ‘Good Genes’ ad was a fascist faux pas. We’re here to say only the boldest, least genetically curated among us deserve our $89 distressed bootcuts.” Historical parallels abound: just as brands in the early 2000s co-opted punk rebellion for mall aesthetics, Hollister’s campaign grotesquely misreads the cultural zeitgeist, mistaking offense for authenticity.
Liberals, however, have embraced the campaign with fervor typically reserved for artisanal kombucha. Progressive influencers on TikTok, wielding hashtags like #FatRetardFits, laud Hollister for “dismantling American Eagle’s genetic gatekeeping.” One viral video, garnering 12 million views, features a Berkeley gender studies major twerking in Hollister’s “Thicc Tyranny” jeans, captioned, “This is how we yeet eugenics into the void!” Such enthusiasm, this researcher posits, reflects a broader liberal tendency to conflate corporate provocation with social justice, a phenomenon akin to mistaking a Hot Topic clearance rack for a revolution.
American Eagle, meanwhile, remains unfazed, its “Good Genes” campaign—starring Sydney Sweeney in low-rise jeans—still generating buzz despite accusations of Nazi undertones. Their PR team, sipping oat milk lattes, issued a statement: “We’re flattered Hollister thinks they can out-edge our cozy flannel empire. Our hoodies wish them luck.” Retail analysts, consulted for this investigation, note that Hollister’s sales plummeted 47% within hours of the campaign’s launch, suggesting consumers prefer American Eagle’s subtler brand of controversy.
This researcher’s archival dive into brand misfires reveals Hollister’s move as a spiritual successor to Bud Light’s 2023 Dylan Mulvaney debacle, where corporate trend-chasing alienated core demographics. Yet, liberals’ embrace of “Fat Retards Only” underscores a peculiar ideological blind spot, where any affront to perceived conservatism is celebrated, even if it’s sewn with the thread of absurdity. As Hollister’s stores brace for protests and their jeans gather dust, one conclusion emerges: in the race to out-woke American Eagle, Hollister has sprinted headfirst into a cultural woodchipper, leaving scholars of consumer behavior to marvel at the wreckage.